the best of hooverphonic on 180 gram triple vinyl, housed in a tri-fold sleeve

repress

one half of iconic british duo basement jaxx felix buxton and vocalist gia make their defected debut with the soul-stirring so hooked on your lovin, alongside two groove-loaded remixes by mousse t. the first ever release under their selace pseudonym, the record comes laden with lingering organ chords and stunningly raw vocals, echoing the stripped back quality of switchs i still love you and with a similar deep-reaching feel to massive attacks early 90s classic unfinished sympathy. production maestro mousse t. works his magic with his funk-drenched disco shizzle mix loaded with a pumping bassline and guitar riffs alongside a deeper dubby shizzle version laced with a spoken word hook. less is more with selace, this is a minimalist yet undeniably stunning record that lets its captivating song do all the work. / 1 per customer

jk flesh, codex empire, crystal geometry, bmsk and puritan on the 1st murder records release.

there will be 200 limited copies

solid black vinyl

10th anniversary reissue of the #1 debut album from the white lies. pressing on 180 gram vinyl.

originally produced as cinematic vision of an unfinished short film project. then kept under lock and now published.

belgrade’s infamous club night launching the label with a split 12” by these hidden jewels of the city’s underground. slow, dark and to the left.

doi records begins with ‘lightnesses’, two long-form recordings from the studio of composer and sound artist, william doyle, formerly known as east india youth. delivering two blissful, near thirty-minute takes across limited edition tape and digital formats, lightnesses is a sound experiment that pays tribute to the original ideas of ‘ambient music’, while nudging our expectations of the form.
emerging accidentally from unauspicious circumstances, lightnesses evolved during the recording of an as-yet unfinished album, when the coda of one track spiralled out into infinity in one long but ever-evolving drone, constantly shifting in form.

conceived along the space of a few years and part of a big collection of unfinished experiments stored on cassette tapes, this eight tracks selection well represents fred ventura s late 80s and early 90s infatuation with chicago house, detroit techno, early warp records and even a secret passion for ebm. using a basic set up made of roland juno 106, roland jx-8p, oberheim dx, roland tr909 and an akai sampler, these tracks were never officially mixed and meant to be released until today. minimal and hypnotic, dry and direct, both sides of the record show an instinctive approach to rhythms and basslines, typical of those days where computer didn t have a predominant role in the creative process.

pete tong presents ibiza classics - performed by the heritage orchestra, conducted by jules buckley. the biggest ibiza moments like you’ve never heard them before.
double vinyl in gatefold sleeve with download code included.

break at home is the collected recordings of the mysterious group 2 katara which was formed in athens, greece in 1978 by george theodorakis (keyboards, percussion, vocals) with his close friend dimitris papangelidis (bass, guitars, percussion, vocals) tip! this musical-duo recorded quietly over a decade between theodorakis’ family idyllic home studio in the philopappou hill of athens and the nearby studios theta and sr. for some part, the tracks seem like adventurous experiments or even unfinished samplers or riffs the band starts to develop, but at the same time there are productions that are clearly meant to be the backbone of an album that never came out.

with lukas lehmann, a new face joins the footjob-squad. out of his estimated 7.436 unfinished projects, he managed to complete three tracks, bag a remix and bundle it all up to what will hit the stores as this is why ep. the a-side kicks off with the discoish banger q&h and a beautiful synth-heavy remix by lorenz rhode not only famous for his releases on compost records or exploited but also for taking detroit-swindle-liveshows to another level with his godlike keys-skills. the deeper side of lukas’ sound is represented on the b-side. starting with edgy piano chords, solid/fragile (coexistence) introduces an enchanting arpeggio midway through the track. with its distinctive strings, nothing but a heartache makes for a semi-sentimental yet still hips-moving finisher.

musician, journalist, radio host. in his works he is looking for a balance between the corporeal and the contemplative aspects of music. sound induced by him can be described as something between techno, deep techno and dub techno, under a deep impact of broadly although not always explicitly understood ambient.

(handmade sleeve / with download code) his debut vinyl is a recording of the longrunning piece stanzas or the law of the good neighbour. on each side, a pair of his friends reads simultaneously from a list of words. the list is an unfinished result of a word game andersen has been playing for several years. stanzas… seems to be a precise text-sound composition, a liquid and elegant piece of concrete poetry that reveals the individual qualities of the voices and their interpersonal relation.

medical records proudly presents a special limited edition of all 3 “forgotten tracks, sketches and unfinished work 2002-2004” by martial canterel as a triple gatefold set. volume i was released previously in 2013, and volume ii and iii are simultaneously being released by medical records as standalones. sean mcbride has been producing work under the martial canterel moniker dating back to 2002 as well as working as half of xeno and oaklander. these tracks capture the allure and depth of sean’s early work exploring rhythms and perfectly crafted pop songs using a very early incarnation of limited instrumentation. fans of martial canterel’s early work (think “austerton” and “sister age”) will be instantly elated. this is the first time these tracks have been released on vinyl and have been remastered for this release by martin bowes at the cage, uk. contains special bonus insert with lyrics. fans of early martial canterel as well as other cold wave icons such as a blaze color, snowy red, and the like will need this collection. presented on high-quality 180gram classic vinyl in a triple gatefold pack.

medical records proudly presents volume iii of a collection of “forgotten tracks, sketches and unfinished work 2002-2004” by martial canterel. this release coincides as a standalone with medical’s other releases of volume ii as well as a special 3lp compiling volumes i-iii. sean mcbride has been producing work under the martial canterel moniker dating back to 2002 as well as working as half of xeno and oaklander. these tracks capture the allure and depth of sean’s early work exploring rhythms and perfectly crafted pop songs using a very early incarnation of limited instrumentation. fans of martial canterel’s early work (think “austerton” and “sister age”) will be instantly elated. this is the first time these tracks have been released on vinyl and have been remastered for this release by martin bowes at the cage, uk. contains special bonus insert with lyrics. fans of early martial canterel as well as other cold wave icons such as a blaze color, snowy red, and the like will need this collection. presented on high-quality 180gram classic vinyl.

utopus is ion d s project that deals with tehno heresies, not-minimal and fragmented melancholy. ion d is the ubiquitous main character of future nuggets standing as a producer behind many entities like steaua de mare, raze de soare, australopitecus oltensis, co-producing delusion men and appearing under different cameos in both volumes sound of the unheard from romania. on p-balans imprint utopus will endevour with club-oriented laboratory work, keeping intact the delics of each genre compressed in the amalgan. set yourselves up for some balanced grooves augmented by unfinished melodies, abstract dramaturgy and very serious tehnodelic motors.

secret operations is proud to present another releases from seba. stasis is track that started as an experiment with native instruments maschine. different drumpatterns triggered in sequence is a big part of the arrangement, and the track evolves in to a soundscape that seba is so well known for. inner world was sitting unfinished on sebas laptop for years, untill he decided that now is the time to finish it. it brings memories back to the days of early metalheadz and to the early days of seba&paradox.

2016 re:issue , a groundbreaking classic album , must have !!!!!!

berlin’s nat fowler renders his meticulous novoline project to not waving’s ecstatic with an inimitable marriage of automated electronic process and live improvisation on his 2nd album, movements, continuing a lifelong quest for esoteric knowledge and a love of archaic computer hardware.

dam swindle return to freerange with an exclusive track following the incredibly well received figure of speech and unfinished business releases. their label heist continues to hog the top spots on the leading download sites and their releases on freerange have been amongst the labels biggest sellers. recent dam swindle remixes of romanthony, hercules & love affair and seven davis jr have helped confirm the dutch duo as one of the most exciting and hyped deep house acts to emerge from amsterdam in recent years. tijuana based artist soul of hex aka sébastien vorhaus already boasts material on the likes of mcde, quintessentials and his own vicario ltd. the new project has already seen huge support from larry heard (including 2 remixes from the man himself on his release lip reading), and is fast becoming an in-demand multi-instrumentalist live and visual show.

modern love very rarely reaches out to artists outside of its immediate surroundings, it’s happened just a couple of times in the last 14 years. but there’s something about philippe hallais that compelled the label to ask him if he wanted to do something together. philippe has released music on a bunch of cool labels (l.i.e.s., the trilogy tapes, delsin, in paradisum), but hearing the first tracks recorded for lighthouse stories, it was obvious philippe was hitting on something new: a kinda weird slow/fast dance music that sounded like a footwork variant sewn up with an exotic production style that was impossible to pin down. these tracks eventually splintered off into different directions, held together by a strong sense of narrative and motion harking back to a teenage obsession with turntablism, detroit electro and ghetto house, and eventually juke and grime. although he’s spent the last few years focusing on more industrial dancefloor variants, for lighthouse stories philippe turned to these foundational influences, as well as his love of mixtapes and sound collages full of unfinished ideas, skits and experiments, all things that inform the flow of this new album. lighthouse stories captures a sense of nostalgia well, but is also a futuristic vision full of that exploratory, vibrant spirit that’s so hard to find in electronic music these days. frames of reference are hard, but in places it reminds us of the dusted swagger of anthony shake shakir, the acquatic drexciyan movements of ultradyne, a loose-limbed take on shangaan, and of actress at his most submerged. but ultimately, it’s an album made by a producer looking to his personal history while forging new ground, pushing ahead with little regard to convention and ultimately ending up with something completely unique: a kind of intimate journal rendered in bright colours and odd shapes.

touch tone is the sound of a vital young electronic pop artist hitting his stride. it is full of playful, unexpected twists and turns. an essential soundtrack to our time, the work does what all great works do - leave the listener strengthened with a fresh perspective and a smile.
limited edition of 300 copies on clear vinyl, downloadcode included.

mit sans dormir kehren die beiden franzosen mit eindrucksvollen krachern zurück - der name ist programm!
der vinyl-lp liegen ein downloadcode für das gesamte album sowie eine cd mit unveröffentlichten titeln bei.

the mosso imprint presents the newest addition to its catalogue. the fifth episode of the series features two newly picked, slow-­&#8208,,,,,,burning numbers. reporting alejandro mossos further travels on the fine lines drawn between awakened reverie and inspirited groove, this new record could also be considered as an adroit demonstration on how to preserve delicacy in splendor. as >islote< was slowly taking its final shape in the few weeks preceding the records mastering, alejandro mosso decided to pull. >arrecife< out from his unfinished archives. it is a beautifully stern and steely work, presenting the slow development of the main lead, giving it space to gradually appear from the fine selection of uncanny percussions and steadily met by its accentuated twin. a damper invitation to look within. on the flip, >islote< begins with a selection of colourful drums, not unfamiliar to mossos usual escapades. however, spreading itself like a most complex delicacy, the apparent sweetness of this distinctive title soon gives way to a rugged melody. conveying a sharp yet cloudy feeling, this b-­&#8208,,,,,,side is located somewhere in the middle of a soft longing and bluesy bliss. mosso places the listener into the near isolation of an island, that is still anchored to its continent. needless to say, his magic is once again well at work.the mosso imprint presents the newest addition to its catalogue. the fifth episode of the series features two newly picked, slow-­&#8208,,,,,,burning numbers. reporting alejandro mossos further travels on the fine lines drawn between awakened reverie and inspirited groove, this new record could also be considered as an adroit demonstration on how to preserve delicacy in splendor. as >islote< was slowly taking its final shape in the few weeks preceding the records mastering, alejandro mosso decided to pull. >arrecife< out from his unfinished archives. it is a beautifully stern and steely work, presenting the slow development of the main lead, giving it space to gradually appear from the fine selection of uncanny percussions and steadily met by its accentuated twin. a damper invitation to look within. on the flip, >islote< begins with a selection of colourful drums, not unfamiliar to mossos usual escapades. however, spreading itself like a most complex delicacy, the apparent sweetness of this distinctive title soon gives way to a rugged melody. conveying a sharp yet cloudy feeling, this b-­&#8208,,,,,,side is located somewhere in the middle of a soft longing and bluesy bliss. mosso places the listener into the near isolation of an island, that is still anchored to its continent. needless to say, his magic is once again well at work.

steadily mining gold in an ever-evolving electronic landscape, the visionquest imprint gets set to unleash an incredibly special 6-track ep from clarian - one half of the supreme duo footprintz. collaborating with the always-innovative guy gerber on the opener, clarian voyages solo throughout the rest of the ep a collective of chemical gardens for a sonically re imagined blade runner kingdom.

following their second album >demiurge< released in may 2011, >medium< arrives as the first non-studio based production by emptyset, recorded on location in the remote woodchester mansion in gloucestershire. the collection of tracks explores the duos preoccupations with the elemental properties of sound and bare rhythmic structures and overlays it onto the textural possibilities of space and material. the project marks their first act of adapting their analogue-based studio system into an architectural intervention, pushing extreme bass and feedback into the irregular spaces of the unfinished building.

the second edition of the mosso series adheres to its archetypal plan, as alejandro mosso leads us forwards on his musical trek and through the grooves carved onto this record. for this new number, alejandro mosso decided to delve back into his archives and take a closer listen to some forgotten, unfinished pieces. some listeners will surely recognise certain bits of this record as they were part of mossos live performance years ago. this is however the first time they will be edited and see the light of day. on the a-side, aconcagua is a festive theme on which a magnetic marimba riff turns into an escalating melody, surrounded by a forest of ascending percussions - characteristic of mossos production – lightly floating around it. cashmere, the flip, was conceived while airborne on a flying carpet, half way above the indian subcontinent and below the countles gleaming stars. perfect instance of alejandro mossos talent, it is a subtle blend of hovering winds and crystallized textures. the bansuri flute and the clave go hand in hand to form reassuring horizons, the soundtrack for a longer moment of hope, greater perspective and spiritual transformation.

something so personal which features vocals from rain phoenix comes from a collection of unfinished unreleased tracks and is a smooth soulful track. on the flip, what is false gets an extraordinary remix from machinedrum. another great installment of the 4 seasons series.

walter merlin jones is a perfectionist. a presence in the house scene since the late 80s, the dj and producer has, over the years, created thousands of undoubtedly wonderful, but unfinished, songs – a staggering collection of musical bits that have fallen victim to his tendency to be his own worst critic. yet, that same perfectionism has yielded some of the most engaging dance music of the last decade, however scant – songs that are aural proof of his preference for quality over quantity. joness first dfa release, 2009s >ill keep on loving you/living without your love<, confirmed his commitment to this idea with subtle grace and slow, seductive rhythms. now, with graceful exit – which pairs joness talents with singer ellipsis, boston producer chas bronz and saxophonist jesse allen — the new orleans-raised artist continues to showcase his discerning ear, proffering music with a modern, evolved take on discos very best virtues.

...enjoy this unfinished buisness and play it loud!!!

4th part of paul winleys disco collection.

we had some unfinished business, so after long deliberation her is the return of creme jak! jtc (aka james t cotton) opens this ep with a devastating 70s disco/funk/jak hybrid, hypnotizing crowds with a repetitive funk guitar and throwing them into a jakking frenzy with a steamrolling basskick counterpoint. simply jak-tastic! followed by a silky chicago dub jakker for the comedown and were ready for 2am/fm. or are we? these two cats rave up the place with some of their patented deep rolling chicago-house influenced trax, but spice it up with a thick-slick muddy bassline before erupting like old yeller. top

no let up from those disco deviants ! for number seven in the series the imprint is proud to release the first set of edits by the rather excellent situation. they first came to light after passing a cd to greg wilson after a gig. he was blown away by the quality of their edits and they instantly started to feature prominently in his sets to much acclaim. then greg included one of their cuts pushin on on his recent resident advisor mix and their talents were a secret no more as the interest flooded in. that track pushin on features on this release. instantly bringing to mind classics like remember me, unfinished sympathy and back to life, it really is a wonderful piece of music which moves both the body and the soul. on the flip, they rework jazzy dees wicked electrofunk track get on up into a dj-friendly dancefloor bomb. its an amazing debut and theres much more to come on their own imprint which is launching this year. enjoy the music

first extract from mr oizo new album to be released on because / edbanger soon.... this is no joke as, on top of the original version, and a remix from mr flash, you will find a remix version from warp s legendary l.f.o.

after the fantastic jisco007 the revenge shows no mercy with another killer 12 inch of three superb disco and boogie edits

gunjack & matt k strike back on the 64th release on this massive techno imprint! a serious beats extravaganza that will test your eardrums on how much bass you can handle. dirty beats, dirty samples, serious techno with a hiphop flavour..

as label boss gilbert says about this new versatile outing: i:cube is a prolix producer : some weeks, the cube used to bring me 4 or 5 outlines tracks, always amazing ! i played them sometimes in my dj sets, or shared them with my producers friends. there was always a nerd to ask me what is it… few years later, i decided to compile these unfinished -or not wanted to be released by the artist- tracks in a new versatile collector serie : >les archives cubistes<. re-edited for some, released without modification for others, they show the evolution of this amazing producer, who explores since a decade different styles but always with his typical sound. for this first volume, two techno tracks. deep end, composed in 1999, could be a >news of the week< as it sounds so current… latecala (under maurizio influence) was composed in 2000, to test a new studio gear (a multi effect)… versatile, some years after, delivers you the result. a few 12inch will follow… in different styles. be aware! limited pressing and special artwork by the excellent designer >machine< !

for the second part of this very special project surgeon sent parts from as yet unfinished tracks to carefully selected remixers to get their interpretations uninfluenced by the final finished tracks. the record opens with the deep, moody interpretation >bad hands< followed by a powerful, dense, aggressive mix from robert henke aka monolake

a three track ep, showcasing samim s range of different flavors. on a1, samim hits you with >paspd< feat. big bully, guest vocalist on previous release like samim s >house nation< (tuningspork) and fuckpony s >ride the pony< (getphysical). the tracks funky, bleepy, hypnotic flow is bound to open up your eyes and get you bouncing. a2 features >masua<. a dry, hard hitting, percussion driven track, accented with bleep textures and breakdowns from outer space. a bumber. on b1, >hardma (unfinished sympathy mix)< takes you further to the light. this special cut was recorded live, raw and direct at the mimas hq. the right choice for rush hour, intense as hell! finally on b2 >do you see the light?< rounds up the ep. the special interlude features a special performance by >preaching ark of light<

von sähkö inspirierter minimal techno der auch den existierenden dancefloor beschallen dürfte. quasi der emotionale gegenpol zu sleeparchive

the 3rd full length album from blackpool recording artist vhs head. after a long delay from the label, finally ade blacow s new album gets a release! digi-pak cd. this album is a soundtrack for an unfinished science fiction film made in the fylde coast area some time ago. the music is a behind the scenes journey exploring the movie and the central character phocus, each track an exposition into the duality of actions, on and off screen. warped and detached audio set to atomic shot on video era visuals represents the atmosphere to this low budget thriller s vivid running commentary. audio mastering by bola.

10th anniversary now on double cd digi pak + 20page booklet (cd1 standard - cd 2 bonus content demos & studio outtakes !

mit sans dormir kehren die beiden franzosen mit eindrucksvollen krachern zurueck - der name ist programm!

before he made his breakthrough with 69 love songs, stephin merritt was a little-known songwriter signed to merge records. the label reaches into its own archives for this rarities compilation, which features 14 songs recorded between 1994 and 1999. full description1999. some of the tracks were originally released as 7 inch vinyl singles by the magnetic fields, others are unreleased rarities, including three cuts from merritts unfinished science fiction musical and one outtake from the 69 love songs sessions.